Bus Group

bus.group is a creative service for facetious elegance. We develop contemporary visual content in close partnership with clients across the corporate and cultural stage. Consider us the stunt doubles of graphic design, render whisperers of CGI and trip sitters of brand strategy. We’ll be your leading lady, background extra, design director and production runner.

Address

bus.group
Ritterstraße 2
10969 Berlin

Instagram

@bus.group

bus.group

Manuel Birnbacher (founder), Daniel Schnitterbaum (founder), Sophia Brinkgerd, Jun Hyeok Shin, Felix Feldmann, Hermione Flynn, Artur Krutov, Jack Lemonidis, Sasha Serdyukova

Selected Clients

Art Basel, Babor, Balenciaga, Cartier, Deutsche Bahn, Ferragamo, Instagram, Maybach, Nike, Nomos Glashütte, Rimowa, Visa, Woolmark

Work with us

We are looking to expand our team via project-based freelance roles and dedicated full-time positions. Current opportunities can be found below:

  • CGI Artist

    We have an opening for a full-time senior role. Long-term experience in Cinema 4D, Redshift is required. Skills in Houdini, Marvelous and Unreal are a plus.

How to apply

Please send your application (portfolio, cover letter and resume) to jobs@bus.group with the respective role included as subject header. We are looking forward to hearing from you! Please note, we can’t reply to every application. Thanks for your understanding!

Credits

Code

Nikolai Sivertsen

Copy

Ollie George

Typeface

Diatype (Dinamo)

Copyright

Info

Might bruk your heart

CGI and 3D animation for the third release of BRUK records.

BRUK is a musical platform for fresh variations on the soundsystem ethic, developed as an artist-focused endeavour and geared towards producers with range, depth and ingenuity in their sound.

The third release invites Cassius Select into the label’s density of sonic textures: “hinting at the anthemic while remaining steadfastly cool and deadly, Cassius Select’s mutant brand of club has the space and versatility to slip between scenes, doing damage wherever it lands.”

Game on for the shake!

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Wrap up, break down

CGI and 3D animation for the second release of BRUK.

BRUK is a musical platform for fresh variations on the soundsystem ethic, developed as an artist-focused endeavour and geared towards producers with range, depth and ingenuity in their sound.

The second release sees producer Siete Catorce unravel his sonic influences of Latin America and futural techno abstraction. The Temperatura EP is fractured, rhythmic and in constant shift.

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Wrap up your bruk

CGI and creative direction for a music label’s inaugural release.

"BRUK is a new platform for fresh variations on the soundsystem ethic, developed as an artist-focused endeavour and geared towards producers with range, depth and ingenuity in their sound." Beside the chopping first statement from Josh Thompson's FFT alias, bus.group produced abstracted imagery to cover the sleeve in its own sheathed visual.

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Beethoven’s gemstone

CGI and 3D animation for the visual framework of Musikfest Berlin.

During the Beethoven jubilee year, the month-long programme pulls together instrumental and vocal ensembles as part of its orchestral festival for the music of our times. For the 2020 edition, bus.group developed a trail of 3D imagery that encrusted rock around its rhythm.

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No feeding on the dancefloor

Visual identity and supporting CGI for the music festival Nachtiville.

Following the party trail left by Nachtdigital last year, another musical offering arrives from its makers. For Nachtiville's debut by the Baltic Sea, bus.group developed a playful identity and 3D-driven artwork that welcomes its arrivals with a waddling, winter mascot.

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Melodic ecologies

CGI and 3D animation for the album artwork of band Jeans for Jesus.

19xx_2xxx_ is the third LP of Swiss band J4J. For the supporting imagery, bus.group transformed 3D scans of the band members into eco-mythical figureheads.

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You smell like you sound

CGI and 3D animation for an album artwork.

In 2017, Swiss band J4J released their second musical offering – an eclectic album entitled P R O. For its supporting artwork, BUS developed 3D imagery of the LP’s ‘scent’, rendered out as a sleek flacon and filled with sonic smell.

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Sònar-powered wings

3D animation for a music festival’s stage programming.

SonarDôme is a longstanding partnership between Red Bull Music and Sònar Festival. For the 2018 edition, bus.group were asked to produce its supporting kinetic visuals.

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Tuning (back) up

CGI and 3D animation for the 2022 edition of PITCH.

After an extended period of distance between bodies and movement, bus.group were asked to create visuals for the returning music and arts festival in Victoria, Australia. We worked with PITCH to produce a playful 3D-driven film that combines surreal materialities against minimalist studio environments.

"Bringing together a community of like-minded individuals for our fifth edition, we welcome you back to the tranquil Grampian plains for an aural experience of electronic music and an assembly of visual delights."

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Fang Gang CGI for the fourth album by Post Malone, ‘Twelve Carat Toothache’.Released last Friday via Republic Records, the rapper and singer finds darker introspection in his latest LP. Across the fourteen-track record, Post Malone battles with depression, addiction and the gleeful lows of fame. In collaboration with PlayLab, bus.group have gnawed typography into the album’s visual accompaniment.