Bus Group

Founded in 2017, bus.group is a creative studio specializing in directing and producing brand-sensitive images and narratives. The studio transforms ideas and products into contemporary visual experiences through design-driven exploration. bus.group works closely with clients across the corporate and cultural stage.

Address

bus.group
Ritterstraße 2
10969 Berlin

Instagram

@bus.group

Selected Clients

Apple, Art Basel, Away, Babor, Balenciaga, Cartier, Dell, Ferragamo, Instagram, Maison Margiela, Maybach, Mercedes Benz, MCM, Nike, Porsche, Rimowa, Renault, Sotheby's, Visa, Woolmark

Work with us

We are looking to expand our team via project-based freelance roles and dedicated full-time positions. Please send your application (portfolio, cover letter and resume) to jobs@bus.group with the respective role included as subject header. Please note, we can’t reply to every application. Thanks for your understanding. Current opportunities can be found below. We are looking forward to hearing from you.

  • Senior CG Artist/Art Director

    We have an opening for a full-time senior role. Long-term experience in Cinema 4D, Houdini and Redshift is required. Skills in related tools such as Marvelous, Unreal, Stable Diffusion etc. are a plus.

Copyright

Tuning (back) up

CGI and 3D animation for the 2022 edition of PITCH.

After an extended period of distance between bodies and movement, bus.group were asked to create visuals for the returning music and arts festival in Victoria, Australia. We worked with PITCH to produce a playful 3D-driven film that combines surreal materialities against minimalist studio environments.

"Bringing together a community of like-minded individuals for our fifth edition, we welcome you back to the tranquil Grampian plains for an aural experience of electronic music and an assembly of visual delights."

Fang Gang CGI for the fourth album by Post Malone, ‘Twelve Carat Toothache’.Released last Friday via Republic Records, the rapper and singer finds darker introspection in his latest LP. Across the fourteen-track record, Post Malone battles with depression, addiction and the gleeful lows of fame. In collaboration with PlayLab, bus.group have gnawed typography into the album’s visual accompaniment.

ICONICALLY EMO

bus.group has created a painfully sharp animation announcing Anne Imhof’s 2023 solo exhibition at Sprüth Magers titled EMO. We’ve deconstructed Zak Group’s typeface into metal shards and tossed them around before we let them galvanize into 100% emotionally stable words again.

Balenciaga Royale

3D animation featuring elements developed for the ready-to-wear Spring 2019 collection of Balenciaga.

bus.group created an eccentric, casino-themed print, produced as full-form patterning within a dress, shirt and scarf silhouette. The pieces were presented during Paris Fashion Week inside a blockbuster, multi-reality show – a collaboration between Demna Gvasalia, Jon Rafman and Ezra Miller.

Chained up for spring

3D animation featuring elements developed for the ready-to-wear Spring 2020 collection of Balenciaga.

The work was debuted during Paris Fashion Week to an audience dispersed within a swirling blue production. Chain imagery was produced for use within a ready-to-wear silhouette and brought to life inside a swirling animation.

Gurtenfestival 2024

bus.group were invited to direct and produce the colourful experience that is Gurtenfestival. The psychedelic outcome is the result of skilfully composed CGI environments, AI graphics, organic simulations and 2D post effects.

You smell like you sound

CGI and 3D animation for an album artwork.

In 2017, Swiss band J4J released their second musical offering – an eclectic album entitled P R O. For its supporting artwork, BUS developed 3D imagery of the LP’s ‘scent’, rendered out as a sleek flacon and filled with sonic smell.

A3 Festival 2024

A3 Festival commissioned bus.group to direct and produce the launch TVC and social media visual assets to promote its 2024 edition, centered around the themes of enlightenment and sensory stimulation. At the core of the project is a speculative A3 amulet, designed and animated to embody the harmony between audio, visual, and spatial disciplines. The video showcases a humanoid character whose interaction with the amulet represents a transformative sensory experience.

A3 Festival 2024

A3 Festival commissioned bus.group to direct and produce the launch TVC and social media visual assets to promote its 2024 edition, centered around the themes of enlightenment and sensory stimulation. At the core of the project is a speculative A3 amulet, designed and animated to embody the harmony between audio, visual, and spatial disciplines. The video showcases a humanoid character whose interaction with the amulet represents a transformative sensory experience.

A3 Festival 2024

A3 Festival commissioned bus.group to direct and produce the launch TVC and social media visual assets to promote its 2024 edition, centered around the themes of enlightenment and sensory stimulation. At the core of the project is a speculative A3 amulet, designed and animated to embody the harmony between audio, visual, and spatial disciplines. The video showcases a humanoid character whose interaction with the amulet represents a transformative sensory experience.

Pitch Festival 2024

bus.group crafted visuals for the 7th Edition of Pitch Music and Arts Festival 2024. This year we juxtaposed nature’s organic sophistication and the structured aesthetic of industrial elements.

Beethoven’s gemstone

CGI and 3D animation for the visual framework of Musikfest Berlin.

During the Beethoven jubilee year, the month-long programme pulls together instrumental and vocal ensembles as part of its orchestral festival for the music of our times. For the 2020 edition, bus.group developed a trail of 3D imagery that encrusted rock around its rhythm.

No feeding on the dancefloor

Visual identity and supporting CGI for the music festival Nachtiville.

Following the party trail left by Nachtdigital last year, another musical offering arrives from its makers. For Nachtiville's debut by the Baltic Sea, bus.group developed a playful identity and 3D-driven artwork that welcomes its arrivals with a waddling, winter mascot.

Musical modalities

Art direction and 2D animation for the Australian arts and music festival MODE.

For the festival’s inaugural edition, bus.group developed a contemporary identity that balances bold graphic treatment, kinetic 2D animation and accompanying animation driven by GAN imagery. The identity has been applied across announcement material and an incoming micro-site to houses all programme information; the teaser shared introduces our work on the festival’s visuality.

How does the future smell?

3D outtakes for an editorial feature entitled The Doors of (Multi-Sensory) Perception.

MOLD is a magazine about the future of food and investigates the potential of ‘designing food’ across interviews, editorials and critical essays. For the fourth issue, Designing for the Senses, bus.group were commissioned to envision a new model for perception, worn amongst a text by Maria Jimena Ricatti.

How does the future smell?

Animated outtakes for an editorial feature entitled The Doors of (Multi-Sensory) Perception.

MOLD is a magazine about the future of food and investigates the potential of ‘designing food’ across interviews, editorials and critical essays. For the fourth issue, Designing for the Senses, bus.group were commissioned to envision a new model for perception, worn amongst a text by Maria Jimena Ricatti.

Lucid Daydreaming: Transcending the Confines of Self

In recognition of this year’s Istanbul Biennale and Contemporary Istanbul, opening on September 13th, Otto Resource c/o Adam Barnard invites bus.group to present Lucid Daydreaming, an animated short film spanning ideas of confinement, change, and liberation.

Hosted by KİRALIK DEPO, Istanbul, the exhibition’s site-specific centerpiece — a towering LED screen titled Trip Wall — is contextualized by an improvised soundtrack from Istanbul Ghetto Club. Juxtaposed against the A-OR02 Meditative Pedestal by @actetm and Otto Resource c/o Adam Barnard, Lucid Daydreaming is part of a matrix of items that culminate to help attendees reconfigure their own perception of self.

With the video built around the Sportsaware Top — a cropped training jersey — Lucid Daydreaming renders visual landscapes of distinctive, yet correlated dream worlds, and questions reality, illusion, solidity, and plasticity.

Big guru energy

CGI and 3D animation for the 50+50 anniversary campaign of SCI-ARC.

Across a year-long programme of events and initiatives, the world-renowned school of architecture looks in both directions to celebrate its past and future. bus.group developed an accompanying visual presence that gives collective voice to the junctions of 50+50: morphing messiah, holy water and cultish monuments included.

Melodic ecologies

CGI and 3D animation for the album artwork of band Jeans for Jesus.

19xx_2xxx_ is the third LP of Swiss band J4J. For the supporting imagery, bus.group transformed 3D scans of the band members into eco-mythical figureheads.

Marble for your ears

CGI and 3D animation for the album artwork of band Jeans for Jesus.

2000 etc. and milleneufcentquelquechose are the fourth and fifth LPs of Swiss band J4J. For the supporting imagery, bus.group transformed 3D scans of the band members into glimmering heads of polished marble and ancient steaming lava.

Have you heard of Fluoro Baroque?

Visual identity and graphic design for the tenth edition of Samos Young Artists Festival.

The annual event brought together emerging and established performers in an ancient Greek theatre. Artists from across the world gathered during the seven-day presentation, playing music that spanned the Baroque, tango and contemporary. The supporting designs capture the musicality of performance across dynamic, hand-rendered illustrations.

Sònar-powered wings

3D animation for a music festival’s stage programming.

SonarDôme is a longstanding partnership between Red Bull Music and Sònar Festival. For the 2018 edition, bus.group were asked to produce its supporting kinetic visuals.

Bittersweet mints and forever-never goodbyes

Visual identity and supporting design for the final edition of a German music festival.

Nachtdigital offered festival solutions to a small German camping village for 22 years. Within the festival’s swan song identity, bus.group installed a minty mascot across its design furnishings. Tees, LPs, and a fitting mix of memories inside the welcome booklet reminisced on the past two decades of Nachtilove.

Post-romantic rhythms

Art direction and graphic design for the debut album of Rachel Lyn.

‘Oh Daydream’ reveals the sonic work of Rachel Lyn within a long form listening experience. The 8-track album weaves together narratives of her VHS-induced childhood, produced into a ‘post-romantic’ story that composes various soundscapes within the artist’s own intimate flow.

bus.group developed the accompanying graphic design for the LP’s full release.

I wanna see you FLEX

Visual identity and supporting design materials for the 21st edition of a German music festival.

In 2018, Nachtdigital introduced its FLEX theme to festivalgoers. bus.group worked up a sweat for its ensemble identity, as liquid bodies collide with graphic typography across poster and film formats.

Scans of the Zodiac

3D imagery for a musical project by actor and musician Edison Chen.

The Monkey King unites two figures — a series of 3D scans of Chen, with another of Ai Weiwei’s artwork The Monkey — into an emotive, golden figurehead.