Bus Group

bus.group is a creative service for consensual fallacy. We develop contemporary visual content in close partnership with clients across the corporate and cultural stage. Consider us the stunt doubles of image making, render whisperers of CGI and trip sitters of creative direction. We’ll be your leading lady, background extra, design director and production runner.

Address

bus.group
Ritterstraße 2
10969 Berlin

Instagram

@bus.group

bus.group

Manuel Birnbacher (founder), Daniel Schnitterbaum (founder), Crystal Campbell, Tine Edle von Istler, Felix Feldmann, Hermione Flynn, Jack Lemonidis, Anaís Prieto León, Fabi Lou Sax, Peter Schings

Selected Clients

Art Basel, Away, Babor, Balenciaga, Cartier, Dell, Ferragamo, Instagram, Maison Margiela, Mercedes Maybach, MCM, Nike, Porsche, Rimowa, Renault, Sotheby's, Visa, Woolmark

Work with us

We are looking to expand our team via project-based freelance roles and dedicated full-time positions. Please send your application (portfolio, cover letter and resume) to jobs@bus.group with the respective role included as subject header. Please note, we can’t reply to every application. Thanks for your understanding. Current opportunities can be found below. We are looking forward to hearing from you.

  • Senior CG Artist

    We have an opening for a full-time senior role. Long-term experience in Cinema 4D, Houdini and Redshift is required. Skills in Marvelous and Unreal are a plus.

Credits

Code

Nikolai Sivertsen

Copy

Ollie George

Typeface

Diatype (Dinamo)

Copyright

Info

Chained up for spring

3D animation featuring elements developed for the ready-to-wear Spring 2020 collection of Balenciaga.

The work was debuted during Paris Fashion Week to an audience dispersed within a swirling blue production. Chain imagery was produced for use within a ready-to-wear silhouette and brought to life inside a swirling animation.

Info

How does the future smell?

Animated outtakes for an editorial feature entitled The Doors of (Multi-Sensory) Perception.

MOLD is a magazine about the future of food and investigates the potential of ‘designing food’ across interviews, editorials and critical essays. For the fourth issue, Designing for the Senses, bus.group were commissioned to envision a new model for perception, worn amongst a text by Maria Jimena Ricatti.

Info

How does the future smell?

3D outtakes for an editorial feature entitled The Doors of (Multi-Sensory) Perception.

MOLD is a magazine about the future of food and investigates the potential of ‘designing food’ across interviews, editorials and critical essays. For the fourth issue, Designing for the Senses, bus.group were commissioned to envision a new model for perception, worn amongst a text by Maria Jimena Ricatti.

Info

24-carat imagery

CGI for a luxury jewellery event held in Berlin.

The Salon of Rare Beauty is a two-day jewellery and watch salon, hosted by FUSION at the Ritz-Carlton in Berlin. For the private event, bus.group were asked to produce a collection of 3D imagery to sit amongst its event material.

Info

Seeing double in the filter bubble

CGI and 3D animation for an editorial collaboration with filter artist Johanna Jaskowska.

In a pursuit for 'more than a filter', Johanna Jaskowska comes face-to-face with her replica Johwska. Together with Jaskowska, bus.group augmented the photography of Alex de Brabant within a surreal cult of self. Narcisse was featured in the third issue of This is Badland, Larger Than Life.